3d Tattoo PicsSource:- Google.com.pk
Hand-Poked Cremation Ashes Tattoo
The other day, I received an interesting email from our friend and one of our favorite tattooers, Colin Dale of Skin & Bone tattoo studio in Copenhagen, Denmark. Colin particularly specializes in hand-poked dotwork, creating gorgeous pieces, large and small, with a particular bent towards Nordic art and mythology (although he works in a variety of genres).
In the message, Colin sent these photos, shot by his partner Nana, of him tattooing their friend Eric Frederikson with soot mixed with the ashes of Eric's deceased father to make the ink. As Colin said, "It doesn't get more tribal than that."
Considering my fascination with memorial tattoos using cremation ashes, I asked for more to the story, and Colin obliged. Here's what he wrote:
Leviticus talked about cutting and marking the body in reverence to the dead. The Hawaiians used to cut themselves with shells (scalp) and smear the funeral pyre ashes on themselves. And I know several people have done this in modern times before me...I seem to remember Bill Tinney (Photographer for Outlaw Biker, Tattoo Review, etc.) got a portrait of his mother (or grandmother) done by Brian Everett, I believe, with some ash mixed in the ink. However, I actually wanted to make ink out of the ash!
Unfortunately human (animal) ash is very light, so I mixed it with soot to darken it up while still trying to
stay as prehistoric as possible. I don't know if you should give the recipe out [Editor's Note: yup, I am], but it was half ash, half soot -- and then an equal portion of 55% Vodka! The human ash was quite grainy, so I had to mill/mortar it, which was no problem at Lejre [Denmark, where the tattoo took place]. In the studio, I probably would have hit it with the ultrasonic for a few days. But Eric is from Minnesota (Minnesota Viking!), so my only concern was that he might catch Mad Republican Disease!
I'll begin simply by saying that These Old Blue Arms: The Life & Work of Amund Dietzel is a bookshelf mandate for lovers of tattoo art and culture. Written by Jon Reiter of Solid State Tattoo in Milwaukee, it not only captures a legend but the richness of tattoo Americana.
Last month, Patrick posted a preview of the book, and over vacation, I made it my essential reading -- although not beach reading as I didn't want to risk damaging the 200-page hardcover. While I devoured the entire book in just a few hours, its resonance is long lasting. It is in one volume a book of history, artistic reference, and tattoo lore as well as a meticulously researched biography.
As Fred Stonehouse says in the Foreword, Jon Reiter has made it his mission to "clarify much of the shadowy information" surrounding Dietzel. Reiter cites the Norwegian National Archives to early US newspapers to direct quotes from Dietzel's grandson to paint a picture of a man deemed "one of the last true gentleman tattooers."
The book begins with a short introduction to Dietzel's family life, illustrated by photos from the late 1800s and beyond. We learn that he went to sea at the age of 14 and got his first tattoo--an anchor on his hand--when he docked in Southern Wales in 1907. It was aboard the Augusta later that year when he started his 60+year tattoo career with "six needles bound with cotton and set in a block of wood."
More than tattoo facts, the book tells stories of alleged ship wrecks, war time tattoo culture, and carny life--where Dietzel spent a good portion of his career tattooing and as a "Tattooed Man" sideshow performer. It also shows Dietzel as an artist constantly seeking to refine his craft, noting that he took art classes at Yale and elsewhere at various times in his life. His artistry is ever-present in the hand-painted flash spreads--these pages alone are worth buying the book.Reiter also gives some background on the root of the word flash, which is fantastic.